In a picturesque town on the French Riviera, a lonely outsider becomes increasingly fixated on a woman he repeatedly encounters. Filmed entirely through wearable smart glasses and seen from his point of view, what feels to him like fate gradually reveals itself as something more unsettling. A quiet study of anxiety, projection, and how loneliness can transform romantic longing into intrusion.

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I was interested in the fragile boundary between romantic longing and violation, and how easily one can slip into the other when filtered through loneliness and anxiety. By filming entirely from a wearable first-person perspective, the audience is placed inside the protagonist’s rationalizations rather than observing them from a safe distance. The film asks viewers to sit with discomfort: to understand how harmful behavior can emerge from very human fears, and how reality often proves far simpler than the narratives we construct to avoid vulnerability.